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Amy Lay, Leah Haviland and Nikki Fagin put their best foot forward in Burlesque Biographie (photo by Will Shively)

Amy Lay, Leah Haviland and Nikki Fagin put their best foot forward in Burlesque Biographie (photo by Will Shively)

By Richard Ades

Semi-nudity and seminal comedy are once again on tap at Shadowbox Live.

Burlesque Biographie reunites us with a fictitious troupe that specializes in vaudeville-style skits and erotic dancing. It’s our third visit with the company, following Burlesque de la Voyage (2012) and Burlesque Behind the Curtain (2013).

Is the new show fun? Yes, though not quite as much fun as its immediate predecessor.

Burlesque Biographie is so-named because the entire show is built around a biographical interview with troupe leader Bea (Julie Klein), whose stage name is Busty. While reporter Kimberly (Michelle Daniels) quizzes Busty about her past—including a life-altering trip to Paris in her youth—flashbacks reveal early routines that helped to shape her career.

The good thing about this format is that it gives the players plenty of opportunities to be funny and/or sexy. The bad thing is that the interview proves to be a rather tedious framing device.

Busty is normally fun to be around, being just as raunchy and foul-mouthed offstage as she is on. Here, though, she seems to be in an uncharacteristically mellow mood, even remaining unfazed when a distraught troupe member locks himself in the closet just minutes before the next performance. As a result, much of the French-named show proceeds at an escargot’s pace.

The show does redeem itself during those flashbacks, however.

The comedy bits are pretty funny, though two of the most prominent suffer from over-exposure. Amy Lay does a great job of impersonating Madeline Kahn singing I’m Tired from Blazing Saddles; and Brandon Anderson, David Whitehouse and Jim Andes are decent stand-ins for the Three Stooges in the vaudeville routine “Slowly I Turned.” Still, both bits are likely to be funniest to those who haven’t seen them multiple times.

The show fares best in the sexy song-and-dance numbers, where over-exposure is hardly a drawback. Good singing and Katy Psenicka’s playfully sensual choreography combine with risqué costumes to create several memorable moments.

Klein gets things off to a sultry start with Whatever Lola Wants. Other Act 1 musical highlights include Boogie Woogie Bugle Boy, featuring Andrews Sisters-style harmonies, and Hit ’Em Up Style, in which a humorously awkward male striptease is accompanied by singers Noelle Grandison, Stacie Boord, Nikki Fagin and Leah Haviland.

Haviland, by the way, is convincing as a younger version of Busty, whom she plays in flashback scenes.

Act 2’s musical highpoints include Come On-a My House, with lead vocals by Brandon Anderson; Bang Bang, sung by Haviland; and the show-closing Zoot Suit Riot, delivered by Stev Guyer. But for sheer, colorful spectacle, the winner is The Mating Game, sung by Amy Lay and featuring a bevy of dancers in pasties and exotic headdresses.

As is the norm at Shadowbox, the musicians provide first-rate accompaniment. Considering what’s going on in front of them, they also display amazing powers of concentration.

Burlesque Biographie continues through Oct. 30 at Shadowbox Live, 503 S. Front St. Show times are 7:30 p.m. select Wednesdays and Thursdays. Running time: 1 hour, 50 minutes (including intermission). Tickets are $25, $20 for students, seniors and military. 614-416-7625 or shadowboxlive.org.

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